Tuesday, 31 October 2017

Inktober Week 4 and 5

I can't believe I got through Inktober! I've learnt many new things, and I'm definitely in the process of evolving new skills, and I can't wait to explore them even more. It has been a really great experience and I'm already getting ready for next year.

Day 22, dandelions

Day 23, melody

Day 24, moth

Day 25, roots

Day 26, jellyfish

Day 27, plum blossom

Day 28, gem stone

Day 29, vines

Day 30, wisteria

Day 31, lanterns

Day 24 I was low on time and ideas, so I tried to recreate this artwork: Pinterest.


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"Ink" (watercolours): Winsor & Newton
Ink pens: Micron
Sketchbook: Fabriano

Sunday, 29 October 2017

The Art of Spirited Away

I love Hayao Miyazaki's films and Spirited Away was the very first one that I saw. Ever since I was very little the beauty of his films has swept my feet away. The artist, that has been a part of Studio Ghibli's films, that I probably admire the most is Kazuo Oga. He has painted many of the backgrounds for the films and I never tire of looking at them.

I have a couple of 'The Art of...' books with art from various Studio Ghibli films that I treasure. I wanted to give you the opportunity to have a little peek inside and see some of the wonders these books are filled with. Today I have chosen to share 'The Art of Spirited Away' with you.

It was very hard to choose just a couple of pages to show you. The book is packed with gorgeous scenes and you can spend hours looking through the pages just to soak everything in.






I always get so inspired when looking through these books. They're definitely worth having in your collection.


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Pages from the book are copyright Studio Ghibli

Tuesday, 24 October 2017

One-Point Perspective

I've started to learn perspective drawing and I'm enjoying it so much. I feel like I'm receiving some tools that will make it easier for me to convert what I have inside my head to a piece of paper. I have so many magical places in my mind that I want to share with you and I think I'm one step closer to being able to do so.

I'm only just starting to get the hang of one-point perspective but I'm eager to learn more. I have an art book that has been really helpful. It's called 'The Art of Perspective: The Ultimate Guide For Artists in Every Medium' by Phil Metzger. This book takes you through many different aspects of perspective drawing. I haven't read the entire book yet but I really like the way it's put together. There are many illustrations that help describe the subjects that Phil Metzger are explaining and a what-have-we-learnt section after each chapter.





Two things I've found really helpful to keep in mind, when drawing with one-point perspective, is the eye level of your scene and the scene's vanishing point. When learning new things I want it to be kept simple. If I have to remember too many things at the same time I'll be sure to forget one of them or confuse myself more than necessary. 




Once you've established your eye level make a dot on that line to represent your vanishing point. Now all the lines in your drawing, except the vertical lines, has to meet at that vanishing point. Once I learnt this I thought that that couldn't be right. As it turns out, it is. 

I've tried to make some lines on top of one of my inktober, actually one of the very first drawings I've ever made with one-point perspective, to hopefully clarify the meaning of eye level and vanishing point and how to actually use them. 


The red line is my eye level. I've drawn the blue lines to show that all of my lines, the lines of the table, the lines of the shelves, all meet in the vanishing point. As this is one of the first drawings I've ever made using one-point perspective I'm sure there are some mistakes. For instance I don't think the eye level should have been quite that far up the page.

I would definitely recommend this art book if you're learning perspective drawing. I had no idea about what to do at first but after reading some chapters in this book I felt like I could take on the challenge. 


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Pages from the art book are copyright Phil Metzger